A Repetition Compulsion: Discontinuity Editing, Classical Chinese Aesthetics, and Hong Kong's Culture of Disappearance
In 1972, Michelangelo Antonioni produced the documentary Chung Kuo for Italian television. While the filmmaker claimed to have carried out the project with nothing but affection and respect for his subject, the official response in the PRC was a denunciation of the film as an attack on the nation and an insult to its people.
No Reference information available - sign in for access.
No Citation information available - sign in for access.
No Supplementary Data.
No Article Media
Document Type: Research Article
Affiliations: Moving Image Arts at the College of Santa Fe
Publication date: 1999-03-01
More about this publication?
- Asian Cinema is a seminal journal, which has been published since 1995 by the Asian Cinema Studies Society under the stewardship of Professor John Lent. From 2012 Asian Cinema will be published by Intellect as part of our Film Studies journal portfolio. The journal currently publishes a variety of scholarly material - including research articles, interviews, book and film reviews and bibliographies - on all forms and aspects of Asian cinema. The journal's broad aim is to advance understanding and knowledge of the rich traditions of the various Asian cinemas, thereby making an invaluable contribution to the field of Film Studies in general.
- Editorial Board
- Information for Authors
- Submit a Paper
- Subscribe to this Title
- Information for Advertisers
- Recommend to your Library
- Ingenta Connect is not responsible for the content or availability of external websites