Subjective Culture and History: The Ethnographic Cinema of Wong Kar-wai
Lauded by many as one of the most exciting, visionary film artists to emerge in recent cinema, and vilified by others as a pretentious hack who creates pointless, obtuse trifles, there's no denying that the multi-award-winning director Wong Kar-wai is generating some of the most intense debate in the Hong Kong film community today. And because of this intense debate, it seems necessary that some discussion of his work be made.
No Reference information available - sign in for access.
No Citation information available - sign in for access.
No Supplementary Data.
No Article Media
Document Type: Research Article
Publication date: 2012-08-01
More about this publication?
- Asian Cinema is a seminal journal, which has been published since 1995 by the Asian Cinema Studies Society under the stewardship of Professor John Lent. From 2012 Asian Cinema will be published by Intellect as part of our Film Studies journal portfolio. The journal currently publishes a variety of scholarly material - including research articles, interviews, book and film reviews and bibliographies - on all forms and aspects of Asian cinema. The journal's broad aim is to advance understanding and knowledge of the rich traditions of the various Asian cinemas, thereby making an invaluable contribution to the field of Film Studies in general.
- Editorial Board
- Information for Authors
- Submit a Paper
- Subscribe to this Title
- Information for Advertisers
- Recommend to your Library
- Ingenta Connect is not responsible for the content or availability of external websites