Im Kwon-taek has been an important figure in the Korean film world for about thirty-five years, directing both commercial and artistic successes, tackling subjects that have led to controversy at times, and garnering a number of awards. Born in 1936 in the southern part of Korea, Im
debuted with Dumangang-a Jalitkora (Good-bye! Duman River) in 1961. His films won the Grand Bell (Korea's top award) in 1978 (Jokbo or The Family Tree Book), 1979 (Gitbal Obnun Gisu or The Hidden Hero), 1981 (Mandara), 1982 (Abengo Gongsugundan or Abengo Air Green Berets), 1985 (Gilsodom)
1987 (Yonsan IIgi, or Diary of King Yonsan). Other films have won the Korea Paeksang Arts Grand Award (1976, Wangsimri; 1983, Angae Maeul) and Yongpyong Award (1987, Ticket). Mandara was selected to compete in the 1982 Berlin International Film Festival, as was Gilsodom in 1986.
Asian Cinema is a seminal journal, which has been published since 1995 by the Asian Cinema Studies Society under the stewardship of Professor John Lent. From 2012 Asian Cinema will be published by Intellect as part of our Film Studies journal portfolio. The journal currently publishes a variety of scholarly material - including research articles, interviews, book and film reviews and bibliographies - on all forms and aspects of Asian cinema. The journal's broad aim is to advance understanding and knowledge of the rich traditions of the various Asian cinemas, thereby making an invaluable contribution to the field of Film Studies in general.