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New Chinese Cinemas: Forms, Identities, Politics

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Abstract:

New Chinese Cinemas is both an important contribution to the ever-expanding body of English-language writing on Chinese film and a reasonably accurate marker of the relative "maturity" of the scholarship relating to each of the "national" variations under consideration here (People's Republic, Taiwan, Hong Kong). The subject matter is not precisely the newest Chinese cinemas - the wheels of academic publishing turn too slowly (and history's too quickly, it seems) to provide in book form a genuinely contemporaneous chronicle of developments in this area. Rather, the book's focus is Chinese film of the 1980s, with relatively discrete sections devoted to activities in the P.R.C. (four chapters) and in Taiwan and Hong Kong (a total of five chapters).

Keywords: 1980's; Chinese Cinemas; Hong Kong; Taiwan; identity; politics

Document Type: Research Article

DOI: https://doi.org/10.1386/ac.7.1.52_5

Affiliations: University of Texas

Publication date: 2012-07-31

More about this publication?
  • Asian Cinema is a seminal journal, which has been published since 1995 by the Asian Cinema Studies Society under the stewardship of Professor John Lent. From 2012 Asian Cinema will be published by Intellect as part of our Film Studies journal portfolio. The journal currently publishes a variety of scholarly material - including research articles, interviews, book and film reviews and bibliographies - on all forms and aspects of Asian cinema. The journal's broad aim is to advance understanding and knowledge of the rich traditions of the various Asian cinemas, thereby making an invaluable contribution to the field of Film Studies in general.
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