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Hindu Neo-Nationalism and the Spectacle of Masculinity and Violence: The Case of Angaar

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Abstract:

Interviewer: What do you think should be done for this country? Jaggu:. . . All corrupt politicians should be shot or tied to an electric pole and electrocuted. If there was to be an Olympics for corruption all the medals-copper, silver and gold would come to India.

This is Jaggu, the hero of the film Angaar (The Spark, 1992) at his twenty-fifth job interview. Of course, he is not hired. The interviewer retorts, "We were looking for a simple clerk not a rebel." Why a "simple clerk" should be asked a question regarding the running of the country defies realistic logic, but within the narrative of Angaar , it has a crucial place. It lays out clearly that Jaggu, a young man from the lower middle class that so long provided only cogs in the wheel of national administration is ready to move into the center of national politics.

Jaggu, the leader of a group of tightly knit young men, is on his way to transform India into a modern nation state.

Keywords: Angaar; Hindu fundamentalist; The Spark; masculinist; nationalism; politics

Document Type: Research Article

DOI: https://doi.org/10.1386/ac.7.1.24_1

Publication date: 2012-07-31

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  • Asian Cinema is a seminal journal, which has been published since 1995 by the Asian Cinema Studies Society under the stewardship of Professor John Lent. From 2012 Asian Cinema will be published by Intellect as part of our Film Studies journal portfolio. The journal currently publishes a variety of scholarly material - including research articles, interviews, book and film reviews and bibliographies - on all forms and aspects of Asian cinema. The journal's broad aim is to advance understanding and knowledge of the rich traditions of the various Asian cinemas, thereby making an invaluable contribution to the field of Film Studies in general.
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