Apophenoetics: Virtual pattern recognition, the origins of creativity and augmenting the evolution of self
Significance appears as an alignment of stimuli, from a sea of randomly and methodically inputted or stored content into what we might call patterns in the mind. What Klaus Conrad refers to as apophenia, Micheal Shermer as patternicity and Jung as synchronicity, significance serves as synaptic moments recognizing formal elements of a thought, in many cases as individualized personal and possibly ethnocentric experience packets in the mind that have some significance to us. Finding significance in something, or associative significance between things, can lead to some interesting and poetic creative forms of expression, for authors such as August Strindberg or Peter Watts. New ideas form in the mind from some origin. Apophenia, patternicity and synchronicity pose some interesting models for how the mind might process information not originating through the senses alone. Integrating the terms apophenia and ‘noetics’, this article will seek to define apophenoetics as the process and study of the way that patterns form and are processed and decoded in the mind from the sea of random content, virtual imagery and history (past/present/future), without the immediate influence of external stimuli, and could serve as a model for creativity, spiritual transcendence and connecting emotionally with others.
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Document Type: Research Article
Affiliations: Gallaudet University and University of Plymouth
Publication date: 17 May 2012
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- Technoetic Arts focuses upon the juncture between art, technology and the mind. Divisions between academic areas of study, once rigidly fixed, are gradually dissolving due to developments in science and cultural practice. This fusion has had a dramatic effect upon the scope of various disciplines. In particular, the profile of art has radically evolved in our present technological culture
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