An inquiry into Paul Cezanne: The role of the artist in studies of perception and consciousness
Author: Ione, A.
Source: Journal of Consciousness Studies, Volume 7, Numbers 8-9, 2000 , pp. 57-74(18)
Publisher: Imprint Academic
Abstract:[opening paragraph]: An intriguing element of Paul Cezanne's legacy is that while he aligned his paintings with the classical Renaissance tradition of Western art, his innovative body of work ushered in a decisive break with the standards of that tradition in the twentieth century. The many ways in which Cezanne's representational system deviates from the pluralistic art of the twentieth century suggests that probing his allegiance to classicism offers a unique vantage point for studying visual art, perception, and consciousness. It is for this reason that this paper examines Cezanne's contributions from both the painterly and the cognitive science perspectives, asking what artists in fact contribute to our studies in these areas. [A response to this article from Semir Zeki is published in Trends in Cognitive Science.]
Document Type: Research Article
Affiliations: PO Box 12748, Berkeley, CA 94712-3748 USA.
Publication date: 2000-01-01