Manchester Gothic
Manchester Gothic is an unrivalled collection of gothic literature including 40 books and 1 journal written by leading names in the field and covering literature, film, television, theatre and visual arts, dating from the eighteenth century to the present day.
Interest in the gothic has exploded in recent years, making Manchester Gothic a valuable resource to students and academics interested in gothic studies and how the genre has changed over time.
Manchester Gothic aims to explain why gothic studies is so prevalent in the fields of art, film, literature and culture by providing easy access to digital texts, essays and studies in all things gothic. From the study of gothic and death to monsters, vampires, werewolves and ghosts as well as studies on visionaries such as Clive Barker, Terry Gilliam, Alan Moore and Terence Fisher. Manchester Gothic brings them all together in one easy to use resource.
- A familiar compound ghost
- Alan Moore and the Gothic tradition
- Candide en Dannemarc, ou l’optimisme des honnêtes gens
- Charles Robert Maturin and the haunting of Irish romantic Fiction
- Contemporary Australian cinema
- Dangerous bodies
- Decadent daughters and monstrous mothers
- Dissolute Characters
- EcoGothic
- European Gothic
- Fashioning Gothic bodies
- ghost story 1840 -1920, The
- Globalgothic
- Gothic and death, The
- Gothic death 1740-1914
- Gothic Documents
- Gothic forms of feminine fictions
- Gothic kinship
- Gothic Renaissance
- Gothic television
- Gothic writing 1750-1820
- Limits of horror
- Listen in terror
- Men with stakes
- Monstrous adaptations
- Monstrous media/spectral subjects
- Open graves, open minds
- Over her dead body
- Popular television drama
- Queering the Gothic
- Rocks of nation
- She-wolf
- Sinister histories
- Stained glass and the Victorian Gothic revival
- Terence Fisher
- Terry Gilliam
- That devil's trick
- Victorian demons
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