Poetics

Configuring the classics - musical experience and musical consciousness
pp. 71-74(4)
Authors: Nora T.D.; Witkin R.

Authority as performance: the love of Bach in nineteenth-century France
pp. 75-88(14)
Authors: Hennion A.; Fauquet J.-M.

Between history and commodity: the production of a musical patrimony through the record in the 1920-1930s
pp. 89-108(20)
Author: Maisonneuve S.

'When orff meets guinness': music in advertising as a form of cultural hybrid
pp. 109-123(15)
Author: Tota A.L.

From miscellany to homogeneity in concert programming
pp. 125-134(10)
Author: Weber W.