Skip to main content

Investigation of the Relationships Between Perceived Qualities and Sound Parameters of Saxophone Reeds

Buy Article:

$25.00 plus tax (Refund Policy)

The perceived quality of cane reeds used on saxophones or clarinets may be very different from one reed to another even though the reeds have the same shape and strength. The aim of this work is to better understand the differences in the perceived quality of reeds by making use of acoustical measurements. A perceptual study, involving a panel of 10 musicians, was first conducted on a set of 20 reeds of the same strength. Each musician assessed each of the 20 reeds according to three descriptors: Brightness, Softness, and Global quality. Second, signal recordings during saxophone playing (saxophone playing by a musician in the laboratory, called in vivo measurements) were made of the pressures in a player's mouth, in the mouthpiece, and at the bell of the instrument. These measurements enable us to deduce specific acoustical variables, such as the threshold pressure or the spectral centroid of the notes. After an analysis of the perceptual and acoustical data (assessment of the agreement among the assessors and the main consensual differences between the reeds), correlations between the perceptual and acoustical data were performed. A modeling of the descriptors Brightness and Softness according to the acoustical variables is proposed using multiple linear regression. Results show that the pressure in the mouth at the beginning of the permanent regime is an important variable to predict the softness of the reed. The performance of the models in the prediction of the perceptual dimensions provides important clues for a more objective assessment of perceived reed qualities.
No Reference information available - sign in for access.
No Citation information available - sign in for access.
No Supplementary Data.
No Article Media
No Metrics

Document Type: Research Article

Publication date: 01 September 2017

More about this publication?
  • Acta Acustica united with Acustica, published together with the European Acoustics Association (EAA), is an international, peer-reviewed journal on acoustics. It publishes original articles on all subjects in the field of acoustics, such as general linear acoustics, nonlinear acoustics, macrosonics, flow acoustics, atmospheric sound, underwater sound, ultrasonics, physical acoustics, structural acoustics, noise control, active control, environmental noise, building acoustics, room acoustics, acoustic materials, acoustic signal processing, computational and numerical acoustics, hearing, audiology and psychoacoustics, speech, musical acoustics, electroacoustics, auditory quality of systems. It reports on original scientific research in acoustics and on engineering applications. The journal considers scientific papers, technical and applied papers, book reviews, short communications, doctoral thesis abstracts, etc. In irregular intervals also special issues and review articles are published.
  • Editorial Board
  • Information for Authors
  • Submit a Paper
  • Subscribe to this Title
  • Information for Advertisers
  • Online User License
  • Ingenta Connect is not responsible for the content or availability of external websites
  • Access Key
  • Free content
  • Partial Free content
  • New content
  • Open access content
  • Partial Open access content
  • Subscribed content
  • Partial Subscribed content
  • Free trial content
Cookie Policy
X
Cookie Policy
Ingenta Connect website makes use of cookies so as to keep track of data that you have filled in. I am Happy with this Find out more