On the Relevance of Auditory Feedback for Quality of Control in a Balancing Task
A tangible audio–visual interface based on the metaphor of balancing a ball on a tiltable track allows the measurement of human control movements under different conditions of sensory feedback. This specific scenario of human–system interaction forms an example for the definition of various measures of performance and quality of interaction. The dependence of these measures on specific configurations of the interface with regard to the employed audio–visual feedback, and their relationship is discussed.
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Document Type: Research Article
Publication date: 2008-01-01
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- Acta Acustica united with Acustica, published together with the European Acoustics Association (EAA), is an international, peer-reviewed journal on acoustics. It publishes original articles on all subjects in the field of acoustics, such as general linear acoustics, nonlinear acoustics, macrosonics, flow acoustics, atmospheric sound, underwater sound, ultrasonics, physical acoustics, structural acoustics, noise control, active control, environmental noise, building acoustics, room acoustics, acoustic materials, acoustic signal processing, computational and numerical acoustics, hearing, audiology and psychoacoustics, speech, musical acoustics, electroacoustics, auditory quality of systems. It reports on original scientific research in acoustics and on engineering applications. The journal considers scientific papers, technical and applied papers, book reviews, short communications, doctoral thesis abstracts, etc. In irregular intervals also special issues and review articles are published.
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