13 Tone Steps in the Twelfth
Author: Bohlen, H.
Source: Acta Acustica united with Acustica, Volume 87, Number 5, September/October 2001 , pp. 617-624(8)
Publisher: S. Hirzel Verlag
Abstract:Based on a consonance criterion that is founded on combination tones, first the twelve-step scale is derived from the major triad. The same procedure, extended to consonant intervals not used in the twelve-step scale, then leads to a thirteen-step scale filling the framework of the twelfth0. This scale is presented in just and equal tempered tuning. Approaches are shown to a tonal system, based on this scale, and to the realization of 13-tone music.
Document Type: Research Article
Publication date: September 1, 2001
- Acta Acustica united with Acustica, published together with the European Acoustics Association (EAA), is an international, peer-reviewed journal on acoustics. It publishes original articles on all subjects in the field of acoustics, such as general linear acoustics, nonlinear acoustics, macrosonics, flow acoustics, atmospheric sound, underwater sound, ultrasonics, physical acoustics, structural acoustics, noise control, active control, environmental noise, building acoustics, room acoustics, acoustic materials, acoustic signal processing, computational and numerical acoustics, hearing, audiology and psychoacoustics, speech, musical acoustics, electroacoustics, auditory quality of systems. It reports on original scientific research in acoustics and on engineering applications. The journal considers scientific papers, technical and applied papers, book reviews, short communications, doctoral thesis abstracts, etc. In irregular intervals also special issues and review articles are published.
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