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Expressive Perception as Projective Imagining

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Abstract:

Abstract: 

I argue that our experience of expressive properties (such as the joyfulness or sadness of a piece of music) essentially involves the sensuous imagination (through simulation) of an emotion-guided process which would result in the production of the properties which constitute the realisation of the expressive properties experienced. I compare this proposal with arousal theories, Wollheim’s Freudian account, and other more closely related theories appealing to imagination such as Kendall Walton’s. I explain why the proposal is most naturally developed in terms of simulation and briefly comment upon the impact of work on cross-cultural perception of facial expression, modularity and autism for the proposal.

Document Type: Research Article

DOI: http://dx.doi.org/10.1111/j.1468-0017.2008.00346.x

Publication date: June 1, 2008

bpl/mila/2008/00000023/00000003/art00007
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