Journal of Popular Culture

Guest Editorial: Report on the Popular Culture and American Culture Associations
pp. 1-3(3)
Author: Schoenecke, Michael K.

Tales Calculated to Drive You MAD”: The Debunking of Spies, Superheroes, and Cold War Rhetoric in Mad Magazine's “SPY vs SPY”
pp. 4-24(21)
Author: CARABAS, TEODORA

The Jack Woodford Press: Bestsellers at the Army Base, the Drug Store, and the Tourist Bookstore, 1946-1959
pp. 25-48(24)
Author: GERTZMAN, JAY A.

Tricksters and the Marketing of Breakfast Cereals
pp. 49-68(20)
Author: GREEN, THOMAS

Harry Potter and the Functions of Popular Culture
pp. 69-89(21)
Author: KIDD, DUSTIN

Racial Anxiety on the Comics Page: Harry Hershfield's “Abie the Agent,” 1914-1940
pp. 90-108(19)
Author: MOSS, RICHARD

Class and Gender Anxieties in Weimar Nutritional Discourse: Max Rubner's Volksernährung
pp. 109-146(38)
Author: NOVERO, CECILIA

Somalis Don't Climb Mountains: The Commercialization of Mount Everest
pp. 147-168(22)
Author: ROSEN, ELIZABETH

Cyberhenge: Modern Pagans on the Internet
pp. 169-170(2)

Indians in Unexpected Places
pp. 170-172(3)

Gay TV and Straight America
pp. 172-174(3)

The Souls of Cyberfolk: Posthumanism as Vernacular Theory
pp. 174-175(2)

Spook: Science Tackles the Afterlife
pp. 175-177(3)

American Green: The Obsessive Quest for the Perfect Lawn
pp. 177-178(2)

Stepin Fetchit: The Life and Times of Lincoln Perry
pp. 178-180(3)

Entertaining the Citizen: When Politics and Popular Culture Converge
pp. 180-181(2)

America's Songs: The Stories Behind the Songs of Broadway, Hollywood, and Tin Pan Alley
pp. 182-183(2)

Trailing Clouds: Immigrant Fiction in Contemporary America
pp. 183-185(3)

The Latin American Fashion Reader
pp. 185-186(2)

The Rebel Sell: Why the Culture Can't Be Jammed
pp. 187-188(2)

Finding the Force of the Star Wars Franchise: Fans, Merchandise, and Critics
pp. 188-190(3)

The Holocaust Film Sourcebook
pp. 190-192(3)

Alternate Americas: Science Fiction Film and American Culture
pp. 192-193(2)

Ghouls, Gimmicks, and Gold: Horror Film and the American Movie Business, 1953-1968
pp. 194-195(2)