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Publisher: Wiley-Blackwell on behalf of the American Society for Aesthetics

Volume 64, Number 1, Winter 2006

Introduction
pp. 1-9(9)
Authors: Smith, Murray; Wartenberg, Thomas E.

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Theses on Cinema as Philosophy
pp. 11-18(8)
Author: Livingston, Paisley

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Beyond Mere Illustration: How Films Can Be Philosophy
pp. 19-32(14)
Author: Wartenberg, Thomas E.

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Film Art, Argument, and Ambiguity
pp. 33-42(10)
Author: Smith, Murray

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Hitchcock and Cavell
pp. 43-53(11)
Author: Allen, Richard

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Spike Lee and the Sympathetic Racist
pp. 67-79(13)
Author: Flory, Dan

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Transparency and Twist in Narrative Fiction Film
pp. 81-95(15)
Author: Wilson, George

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On Being Philosophical and Being John Malkovich
pp. 111-118(8)
Author: Shaw, Daniel

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Eternal Sunshine of the Spotless Mind and the Morality of Memory
pp. 119-133(15)
Author: Grau, Christopher

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Sartre, the Philosophy of Nothingness, and the Modern Melodrama
pp. 135-145(11)
Author: Kovács, András Bálint

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Cinema and Subjectivity in Krzysztof Kieslowski
pp. 147-156(10)
Author: Santilli, Paul C.

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Apperception on Display: Structural Films and Philosophy
pp. 165-172(8)
Author: Choi, Jinhee

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The Substance of Cinema
pp. 187-198(12)
Author: Ponech, Trevor

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The World Rewound: Peter Forgács's Wittgenstein Tractatus
pp. 199-211(13)
Author: Davis, Whitney

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Contributors
pp. 213-215(3)

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