Journal of Aesthetics and Art Criticism

Introduction
pp. 1-9(9)
Authors: Smith, Murray; Wartenberg, Thomas E.

Theses on Cinema as Philosophy
pp. 11-18(8)
Author: Livingston, Paisley

Beyond Mere Illustration: How Films Can Be Philosophy
pp. 19-32(14)
Author: Wartenberg, Thomas E.

Film Art, Argument, and Ambiguity
pp. 33-42(10)
Author: Smith, Murray

Hitchcock and Cavell
pp. 43-53(11)
Author: Allen, Richard

The Paradox of the Unknown Lover: A Reading of Letter from an Unknown Woman
pp. 55-66(12)
Author: Hunt, Lester H.

Spike Lee and the Sympathetic Racist
pp. 67-79(13)
Author: Flory, Dan

Transparency and Twist in Narrative Fiction Film
pp. 81-95(15)
Author: Wilson, George

The Impersonation of Personality: Film as Philosophy in Mission: Impossible
pp. 97-110(14)
Author: Mulhall, Stephen

On Being Philosophical and Being John Malkovich
pp. 111-118(8)
Author: Shaw, Daniel

Eternal Sunshine of the Spotless Mind and the Morality of Memory
pp. 119-133(15)
Author: Grau, Christopher

Sartre, the Philosophy of Nothingness, and the Modern Melodrama
pp. 135-145(11)
Authors: Kovács, András Bálint

Cinema and Subjectivity in Krzysztof Kieslowski
pp. 147-156(10)
Author: Santilli, Paul C.

Is Sex Comedy or Tragedy? Directing Desire and Female Auteurship in the Cinema of Catherine Breillat
pp. 157-164(8)
Author: Ince, Katherine

Apperception on Display: Structural Films and Philosophy
pp. 165-172(8)
Author: Choi, Jinhee

Philosophizing Through the Moving Image: The Case of Serene Velocity
pp. 173-185(13)
Authors: Carroll, Noël

The Substance of Cinema
pp. 187-198(12)
Author: Ponech, Trevor

The World Rewound: Peter Forgács's Wittgenstein Tractatus
pp. 199-211(13)
Author: Davis, Whitney

Contributors
pp. 213-215(3)