History and Theory

Volume 48, Number 4, December 2009

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Introduction

ENTWINED PRACTICES: ENGAGEMENTS WITH PHOTOGRAPHY IN HISTORICAL INQUIRY
pp. 1-8(8)
Author: TUCKER, JENNIFER

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• http://dx.doi.org/10.1111/j.1468-2303.2009.00513.x

Dialogues

INCONGRUOUS IMAGES: “BEFORE, DURING, AND AFTER” THE HOLOCAUST
pp. 9-25(17)
Authors: HIRSCH, MARIANNE; SPITZER, LEO

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• http://dx.doi.org/10.1111/j.1468-2303.2009.00514.x

SEEING AND SAYING: A RESPONSE TO “INCONGRUOUS IMAGES”
pp. 26-33(8)
Author: BATCHEN, GEOFFREY

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• http://dx.doi.org/10.1111/j.1468-2303.2009.00515.x

SANTU MOFOKENG, PHOTOGRAPHS: “THE VIOLENCE IS IN THE KNOWING”
pp. 34-51(18)
Author: HAYES, PATRICIA

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• http://dx.doi.org/10.1111/j.1468-2303.2009.00516.x

“BLACK SKIN AND BLOOD”: DOCUMENTARY PHOTOGRAPHY AND SANTU MOFOKENG'S CRITIQUE OF THE VISUALIZATION OF APARTHEID SOUTH AFRICA
pp. 52-58(7)
Author: CAMPBELL, DAVID

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• http://dx.doi.org/10.1111/j.1468-2303.2009.00517.x

OF FISH, BIRDS, CATS, MICE, SPIDERS, FLIES, PIGS, AND CHIMPANZEES: HOW CHANCE CASTS THE HISTORIC ACTION PHOTOGRAPH INTO DOUBT
pp. 59-76(18)
Author: KELSEY, ROBIN

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• http://dx.doi.org/10.1111/j.1468-2303.2009.00518.x

NEITHER FISH NOR FLESH
pp. 77-81(5)
Author: TAGG, JOHN

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• http://dx.doi.org/10.1111/j.1468-2303.2009.00519.x

Essays

PHOTOGRAPHIC AMBIVALENCE AND HISTORICAL CONSCIOUSNESS
pp. 82-94(13)
Author: ROTH, MICHAEL S.

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• http://dx.doi.org/10.1111/j.1468-2303.2009.00520.x

“WHEN I WAS A PHOTOGRAPHER”: NADAR AND HISTORY
pp. 95-111(17)
Author: BANN, STEPHEN

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• http://dx.doi.org/10.1111/j.1468-2303.2009.00521.x

PHOTOGRAPHY AND THE PRACTICES OF CRITICAL BLACK MEMORY
pp. 112-129(18)
Author: RAIFORD, LEIGH

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• http://dx.doi.org/10.1111/j.1468-2303.2009.00522.x

PHOTOGRAPHY AND THE MATERIAL PERFORMANCE OF THE PAST
pp. 130-150(21)
Author: EDWARDS, ELIZABETH

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• http://dx.doi.org/10.1111/j.1468-2303.2009.00523.x

THE EVIDENCE OF SIGHT
pp. 151-168(18)
Author: THOMAS, JULIA ADENEY

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• http://dx.doi.org/10.1111/j.1468-2303.2009.00524.x