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Volume 48, Number 4, December 2009
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ENTWINED PRACTICES: ENGAGEMENTS WITH PHOTOGRAPHY IN HISTORICAL INQUIRY
pp. 1-8(8)
Author: TUCKER, JENNIFER

INCONGRUOUS IMAGES: “BEFORE, DURING, AND AFTER” THE HOLOCAUST
pp. 9-25(17)
Authors: HIRSCH, MARIANNE; SPITZER, LEO

SEEING AND SAYING: A RESPONSE TO “INCONGRUOUS IMAGES”
pp. 26-33(8)
Author: BATCHEN, GEOFFREY

SANTU MOFOKENG, PHOTOGRAPHS: “THE VIOLENCE IS IN THE KNOWING”
pp. 34-51(18)
Author: HAYES, PATRICIA

“BLACK SKIN AND BLOOD”: DOCUMENTARY PHOTOGRAPHY AND SANTU MOFOKENG'S CRITIQUE OF THE VISUALIZATION OF APARTHEID SOUTH AFRICA
pp. 52-58(7)
Author: CAMPBELL, DAVID

OF FISH, BIRDS, CATS, MICE, SPIDERS, FLIES, PIGS, AND CHIMPANZEES: HOW CHANCE CASTS THE HISTORIC ACTION PHOTOGRAPH INTO DOUBT
pp. 59-76(18)
Author: KELSEY, ROBIN

NEITHER FISH NOR FLESH
pp. 77-81(5)
Author: TAGG, JOHN

PHOTOGRAPHIC AMBIVALENCE AND HISTORICAL CONSCIOUSNESS
pp. 82-94(13)
Author: ROTH, MICHAEL S.

“WHEN I WAS A PHOTOGRAPHER”: NADAR AND HISTORY
pp. 95-111(17)
Author: BANN, STEPHEN

PHOTOGRAPHY AND THE PRACTICES OF CRITICAL BLACK MEMORY
pp. 112-129(18)
Author: RAIFORD, LEIGH

PHOTOGRAPHY AND THE MATERIAL PERFORMANCE OF THE PAST
pp. 130-150(21)
Author: EDWARDS, ELIZABETH

THE EVIDENCE OF SIGHT
pp. 151-168(18)
Author: THOMAS, JULIA ADENEY

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