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Publisher: Blackwell Publishing on behalf of the Association of Art Historians

Volume 13, Number 1, February 2006
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Editorial
pp. 2-2(1)

Visual Music and the Case for Rigorous Thinking
pp. 3-5(3)
Author: MILLER, SIMON SHAW

The New Realism of the Imagination
pp. 6-8(3)
Author: LAMBIRTH, ANDREW

The Changing Faces of Spain
pp. 9-11(3)
Author: SOMERVILLE, ROSA

Cubism in a Village Pottery
pp. 12-14(3)
Author: BROOKE, PETER

JACOB VAN RUISDAEL MASTER OF LANDSCAPE
pp. 15-16(2)

SPECTRES: WHEN FASHION TURNS BACK
pp. 16-18(3)

JACQUES-LOUIS DAVID: EMPIRE TO EXILE
pp. 19-20(2)

GAUGUIN'S VISION
pp. 20-22(3)

SARGENT AND ITALY
pp. 22-23(2)

GIAMBATTISTA TIEPOLO FIFTEEN OIL SKETCHES
pp. 23-24(2)

GREAT PRIVATE COLLECTIONS OF IMPERIAL RUSSIA
pp. 24-25(2)

VINCENT VAN GOGH: THE DRAWINGS
pp. 25-26(2)

Publishing on Art: A Crisis?
pp. 27-28(2)
Author: THORP, ROGER

DRAWN FROM NATURE – THE PLANT LITHOGRAPHS OF ELLSWORTH KELLY
pp. 29-30(2)

MATISSE AND THE SUBJECT OF MODERNISM
pp. 30-31(2)

THROUGH THE LOOKING GLASS: REPRESENTATIONS OF SELF BY SOUTH AFRICAN WOMEN ARTISTS
pp. 31-33(3)

THE POLLAIUOLO BROTHERS – THE ARTS OF FLORENCE AND ROME
pp. 33-34(2)

THE WEB OF IMAGES. VERNACULAR PREACHING FROM ITS ORIGINS TO ST BERNARDINO DA SIENA
pp. 35-35(1)

GRAFFITI WORLD: STREET ART FROM FIVE CONTINENTS
pp. 36-37(2)

PRE-RAPHAELITE PAINTING AND NINETEENTH CENTURY REALISM
pp. 37-38(2)

CY TWOMBLY: A MONOGRAPH
pp. 38-39(2)

CONSTRUCTED ABSTRACT ART IN ENGLAND AFTER THE SECOND WORLD WAR: A NEGLECTED AVANT-GARDE
pp. 39-40(2)

MAXFIELD PARRISHMASTER OF MAKE-BELIEVE
pp. 40-41(2)

ART OF THE RENAISSANCE BRONZE 1500–1650 THE ROBERT H SMITH COLLECTION
pp. 41-43(3)

BOOK TYPOGRAPHY
pp. 43-43(1)

MANET MANETTE
pp. 43-45(3)

THE SPECTACLE OF FLIGHT AVIATION AND THE WESTERN IMAGINATION, 1920–1950
pp. 45-46(2)

AUGUSTINE IN THE ITALIAN RENAISSANCE: ART AND PHILOSOPHY FROM PETRARCH TO MICHELANGELO
pp. 46-47(2)

WHAT GOOD ARE THE ARTS?
pp. 47-48(2)

PRIVATE LIVES IN RENAISSANCE VENICE
pp. 48-50(3)

PROPHETS, PAUPERS, OR PROFESSIONALS? A SOCIALHISTORY OF EVERYDAY VISUAL ARTISTS IN MODERN GERMANY, 1850–PRESENT
pp. 50-50(1)

THE PRIVATE JOURNALS OF EDVARD MUNCH
pp. 50-51(2)

THE MIRROR OF THE GODS: CLASSICAL MYTHOLOGY IN THE RENAISSANCE
pp. 51-53(3)

AT A DISTANCE: PRECURSORS TO ART AND ACTIVISM ON THE INTERNET
pp. 53-54(2)

THE END OF ART
pp. 54-54(1)

BIBA: THE BIBA EXPERIENCE
pp. 55-56(2)

THE TWENTIETH CENTURY HOUSE IN BRITAIN: FROM THE ARCHIVES OF COUNTRY LIFE
pp. 56-57(2)

THE NEW PALACES OF MEDIEVAL VENICE
pp. 57-58(2)

FROM KASHMIR TO KABUL; THE PHOTOGRAPHS OF JOHN BURKE AND WILLIAM BAKER 1860–1900
pp. 58-59(2)

DAVID GOLDBLATT INTERSECTIONS
pp. 59-60(2)

THE ORIGINS OF L'ART NOUVEAU: THE BING EMPIRE
pp. 61-61(1)

VAN DER WEYDEN
pp. 61-62(2)

TREASURES OF THE FITZWILLIAM MUSEUM
pp. 62-62(1)

MICHELANGELO'S `LAST JUDGEMENT'
pp. 62-63(2)

THE OLD TESTAMENT THROUGH 100 MASTERPIECES OF ART
pp. 63-63(1)

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