The Art Book

Editorial
pp. 2-2(1)

Not Just Another Manifesto
pp. 3-5(3)
Author: KUSPIT, DONALD

Surveying the Century: Art Since 1900
pp. 6-7(2)
Authors: WHITELEY, GILLIAN; MUIR, PETER

Profound Art
pp. 8-10(3)
Author: SHIPWAY, ALAN

Degas at Work
pp. 11-13(3)
Author: LEWIS, ADRIAN

In the Public Eye
pp. 14-16(3)
Author: SOMERVILLE, ROSA

Surveying Art since 1900: Gillian Whiteley talks to Yve-Alain Bois, Hal Foster and Rosalind Krauss
pp. 17-18(2)

MUNCH BY HIMSELF
pp. 19-20(2)

FRIDA KAHLO
pp. 20-21(2)

MATISSE, HIS ART AND HIS TEXTILES THE FABRIC OF DREAMS
pp. 21-22(2)

TOULOUSE-LAUTREC AND MONTMARTRE
pp. 23-23(1)

MAX ERNST: A RETROSPECTIVE
pp. 23-25(3)

JAN BRUEGHEL THE ELDER: THE ENTRY OF THE ANIMALS INTO NOAH'S ARK
pp. 25-26(2)

MEMLING AND THE ART OF PORTRAITURE
pp. 26-27(2)

REBECCA HORN BODYLANDSCAPES DRAWINGS, SCULPTURES, INSTALLATIONS 1964–2004
pp. 27-28(2)

GIORGIO MORANDI: THE ART OF SILENCE
pp. 29-30(2)

THE ARTIST'S REALITY PHILOSOPHIES OF ART
pp. 30-31(2)

PICASSO THE REAL FAMILY STORY
pp. 31-33(3)

GEORGE KENNETHSON: A MODERNIST REDISCOVERED
pp. 33-34(2)

NAPOLEON'S ARMY IN RUSSIA. THE ILLUSTRATED MEMOIRS OF ALBRECHT ADAM – 1812
pp. 34-35(2)

TRUE TO THE LETTER 800 YEARS OF REMARKABLE CORRESPONDENCE, DOCUMENTS AND AUTOGRAPHS
pp. 35-37(3)

GREUZE AND THE PAINTING OF SENTIMENT
pp. 37-38(2)

THE ARTIST AS PRODUCER: RUSSIAN CONSTRUCTIVISM IN REVOLUTION
pp. 38-39(2)

DIFFERENCE AND EXCESS IN CONTEMPORARY ART: THE VISIBILITY OF WOMEN'S PRACTICE
pp. 39-40(2)

RENAISSANCE ART & ARCHITECTURE
pp. 40-41(2)

OVER HERE INTERNATIONAL PERSPECTIVES ON ART AND CULTURE
pp. 41-42(2)

SURREALISM AND THE VISUAL ARTS: THEORY AND RECEPTION
pp. 42-43(2)

VIDEO ART, A GUIDED TOUR
pp. 43-43(1)

A HUMUMENT – A TREATED VICTORIAN NOVEL
pp. 43-44(2)

GIOVANNI BELLINI AND THE ART OF DEVOTION
pp. 44-45(2)

THE AJANTA CAVES: ANCIENT PAINTINGS OF BUDDHIST INDIA
pp. 45-46(2)

BODY DOUBLES: SCULPTURE IN BRITAIN 1877–1905
pp. 46-48(3)

THE TRINITY APOCALYPSE
pp. 48-49(2)

MEDICI MONEY: BANKING, METAPHYSICS AND ART IN FIFTEENTH-CENTURY FLORENCE
pp. 49-50(2)

BRETT WHITELEY: ART & LIFE
pp. 50-51(2)

Art and Life: Tom Hicks interviews Barry Pearce, Head Curator of Australian Art at the Art Gallery of New South Wales and Co-author of Brett Whiteley: Art and Life
pp. 52-53(2)

VICTOR REGNAULT AND THE ADVANCE OF PHOTOGRAPHY/THE ART OF AVOIDING ERRORS
pp. 53-55(3)

THE ART OF FREDERICK SOMMER: PHOTOGRAPHY, DRAWING, COLLAGE
pp. 55-56(2)

BASIC FORMS OF INDUSTRIAL BUILDINGS
pp. 56-56(1)

The Artists' Papers Register
pp. 57-58(2)

THE NATURE OF ORDER: AN ESSAY ON THE ART OF BUILDING AND THE NATURE OF THE UNIVERSE
pp. 58-60(3)

NOTHING LESS THAN LITERAL: ARCHITECTURE AFTER MINIMALISM
pp. 60-61(2)

HISTORY OF MODERN DESIGN
pp. 61-62(2)

HAIR AND FASHION
pp. 62-62(1)

The Crisis in Publishing: Where to Now?: A REPORT ON A FORUM AT THE COURTAULD INSTITUTE BY FRANCES FOLLIN
pp. 63-64(2)

WILLIAM NICHOLSON
pp. 64-65(2)

THINGS THAT TALK: OBJECT LESSONS FROM ART AND SCIENCE
pp. 65-65(1)

WILLIAM ROBERTS AN ENGLISH CUBIST
pp. 65-66(2)

CHANGING PATRONS. SOCIAL IDENTITY AND THE VISUAL ARTS IN RENAISSANCE FLORENCE
pp. 66-67(2)

PATRICK HAYMAN VISIONARY ARTIST
pp. 67-67(1)

THE LIVING IMAGE IN RENAISSANCE ART
pp. 67-68(2)

A PALACE FOR A KING THE BUEN RETIRO AND THE COURT OF PHILIP IV
pp. 68-68(1)

THEMES IN CONTEMPORARY ART
pp. 68-69(2)

PENGUIN BY DESIGN: A COVER STORY 1935–2005
pp. 69-69(1)

CHOIX DES PLUS BELLES FLEURS
pp. 69-70(2)

POST-IMPRESSIONISM TO WORLD WAR II
pp. 70-70(1)

JOHN VIRTUE LONDON PAINTINGS
pp. 70-71(2)

DISPARITIES AND DEFORMATIONS: OUR GROTESQUE
pp. 71-71(1)