The Art Book

Editorial
pp. 2-2(1)
Authors: Sue Ward; Marion Arnold

Significant Scenery
pp. 3-5(3)
Author: Norbert Lynton

Turner, Whistler, Monet: Lineage and its Function
pp. 6-8(3)
Author: Adrian Lewis

Manhattan is Modern Again
pp. 9-10(2)
Author: Victoria Keller

The World in Your Hands
pp. 11-12(2)
Authors: Marion Arnold; Gabriele Neher

Art History and Geography: A New Global Perspective
pp. 13-14(2)
Author: Marion Arnold

Christo and Jeanne-Claude: On the Way to the Gates, Central Park, New York City; Patricia Leighton: Monuments to Nature
pp. 15-16(2)
Author: Victoria Keller

With Hidden Noise: Sculpture, Video and Ventriloquism
pp. 16-17(2)
Author: Jo Applin

Tamara de Lempicka Art Deco Icon
pp. 17-18(2)
Author: Patricia Railing

Beyond Geometry: Experiments in Form, 1940s–1970s
pp. 18-19(2)
Author: Sam Gathercole

Masterpieces and Master Collectors: Impressionist and Early Modern Paintings From The Hermitage and Guggenheim Museums; Art Through the Ages: Masterpieces of Paintings from Titian to Picasso; American Pop Icons
pp. 19-20(2)
Author: Victoria Keller

Sutapa Biswas
pp. 20-21(2)
Author: Alexandra M. Kokoli

The Centaur's Smile: The Human Animal in Early Greek Art
pp. 21-22(2)
Author: Matt Cambridge

A Century of Painting: From Renoir to Rothko
pp. 22-23(2)
Author: Melissa Page

Raphael from Urbino to Rome
pp. 23-24(2)
Author: Carol M. Richardson

Review: Anne Derbes and Mark Sandona (eds.), The Cambridge Companion to Giotto
pp. 25-26(2)
Author: Roger Tarr

Review: Esther da Costa Meyer and Fred Wasserman (eds.), Schoenberg, Kandinsky, and the Blue Rider; John E. Bowlt and Nicoletta Misler (eds.), Vasilii Kandinsky and the Science of Art; Natasha Kurchanova (ed.), Festschrift for Vivian Endicott Barnett
pp. 26-28(3)
Author: Patricia Railing

Review: Dorothy Rowe, Representing Berlin: Sexuality and the City in Imperial and Weimar Germany
pp. 28-29(2)
Author: Marsha Meskimmon

Review: Medina Lasansky, The Renaissance Perfected. Architecture, Spectacle, and Tourism in Fascist Italy
pp. 29-31(3)
Author: Gabriele Neher

Review: Jenny Anger, Paul Klee and the Decorative in Modern Art
pp. 31-32(2)
Author: Jonathan Osmond

Review: Benjamin Harshav (ed.), Marc Chagall on Art and Culture; Benjamin Harshav, Marc Chagall and his Times: A Documentary Narrative
pp. 32-33(2)
Author: Norbert Lynton

Review: Paul O'Keeffe, Gaudier-Brzeska: An Absolute Case of Genius
pp. 33-35(3)
Author: Jon Wood

Review: David Peters Corbett, The World in Paint: Modern Art and Visuality in England 1848–1914
pp. 35-36(2)
Author: Rebecca Scragg

Review: Tristan Manco, Street Logos
pp. 36-37(2)
Author: Mark Rawlinson

Review: Alan Wofsy, The Picasso Project. Picasso's Paintings, Watercolors, Drawings and Sculpture. A Comprehensive Illustrated Catalogue 1885–1973. The Final Years, 1970–73
pp. 37-38(2)
Author: Peter Read

Review: Mary Hollingsworth, The Cardinal's Hat: Money, Ambition and Housekeeping in a Renaissance Court
pp. 38-39(2)
Author: Rupert Shepherd

Review: Jeffrey Chipps Smith, The Northern Renaissance
pp. 40-40(1)
Author: Larry Silver

Review: Austin Harrington, Art And Social Theory
pp. 40-41(2)
Author: Mark Rawlinson

Review: Jennifer L. Roberts, Mirror-Travels: Robert Smithson and History
pp. 41-42(2)
Author: Dominic Rahtz

Review: Peter Humphrey (ed.), The Cambridge Companion to Giovanni Bellini
pp. 42-44(3)
Author: Susan Grange

Review: Deborah J. Haynes, Art Lessons: Meditations on a Creative Life
pp. 44-44(1)
Author: Rebekka Kill

Review: Jonathan Harris (ed.), Critical Perspectives on Contemporary Painting Hybridity, Hegemony, Historicism
pp. 44-45(2)
Author: Claire Davies

Review: Bamber Gascoigne, How to Identify Prints. A Complete Guide to Manual and Mechanical Processes from Woodcut to Inkjet (Second Edition)
pp. 45-46(2)
Author: Patricia Andrew

Sue Ward Visits the National Museum of Women in the Arts, Washington, DC
pp. 47-48(2)

A Legacy in Literature: Rona Goffen (1944–2004)
pp. 48-48(1)
Author: Gabriele Neher

Dalibor Vesely, Architecture in the Age of Divided Representation: The Question of Creativity in the Shadow of Production
pp. 49-50(2)
Author: Deborah Ascher Barnstone

Georgia Clarke, Roman House – Renaissance Palaces: Inventing Antiquity in Fifteenth-Century Italy
pp. 50-50(1)
Author: Carol M. Richardson

Kirsten Elliott and Neil Menneer, Bath
pp. 51-51(1)
Author: Sarah Drury

Vik Muntz, Natura Pictrix: Interviews and Essays on Photography
pp. 51-52(2)
Author: Christopher Howard

Weston Naef, Photographers of Genius at the Getty
pp. 53-53(1)
Author: Jane Fletcher

Bookmarks: Infiltrating the Library System
pp. 54-55(2)
Author: Sarah Bodman

Defaced: The Visual Culture of Violence in the Late Middle Ages
pp. 56-56(1)

Surrealist Art and Thought in the 1930s: Art, Politics and the Psyche
pp. 56-57(2)

The Renaissance in Europe
pp. 57-57(1)

Confronting Identities in German Art: Myths, Reactions, Reflections
pp. 57-58(2)

Botero: Women
pp. 58-58(1)

Masterpieces of the Vatican
pp. 58-59(2)

Face to Face British Self-Portraits in the Twentieth Century
pp. 59-59(1)

Grasping the World. The Idea of the Museum
pp. 59-60(2)

Painters of Reality. The Legacy of Leonardo and Caravaggio in Lombardy
pp. 60-61(2)

Raphael in Early Modern Sources Vol. XXX/XXXI
pp. 61-61(1)

Drawing Relationships in Northern Italian Renaissance Art. Patronage and Theories of Invention
pp. 61-62(2)

The Italian Renaissance Imagery of Inspiration: Metaphors of Sex, Sleep, and Dreams
pp. 62-63(2)

Philip II of Spain: Patron of the Arts
pp. 63-63(1)