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Abstract:

Books reviewed in this section are:

Geoff Dyer (ed), John Berger: Selected Essays

John Berger, Maggi & Henrietta: Drawings of Henrietta Moraes by Maggi Hambling

Carl Brandon Strehlke with Cecilia Frostinini et al., The Panel Paintings of Masolino and Masaccio: The Role of Technique

Deborah Willis and Carla Williams, The Black Female Body: A Photographic History

Lisa Gail Collins, The The Art of History: African American Women Artists Engage the Past

Richard J. Powell, Black Art: A Cultural History (Revised and Expanded Edition)

Victor Schmidt (ed), Italian Panel Painting of the Duecento and Trecento

Bruno Alfieri et al., Jackson Pollock in Venice The ‘Irascibles’ and the New York School

Rosamund E. Mack, Bazaar to Piazza, Islamic Trade and Italian Art, 1300–1600

Jerry Brotton, The Renaissance Bazaar. From the Silk Road to Michlangelo

Mel Gooding, Ceri Richards

David Rosand, Drawing Acts – Studies in Graphic Expression and Representation

Michel Pastoureau, Blue: The History of a Colour

Darcy Grimaldo Grigsby, Extremities

Gen Doy, Drapery: Classicism and Barbarism in Visual Cultural

Chris Stephens and Miranda Phillips (ed), Barbara Hepworth Sculpture Garden

Gerald Curtis, Visual Words: Art and the Material Book in Victorian England

Pamela Genova, Symbolist Journals: A Culture of Correspondence

Document Type: Research Article

DOI: https://doi.org/10.1111/1467-8357.00333

Publication date: 2003-03-01

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