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Books reviewed in this article:

David Peters Corbett, Ysanne Holt and Fiona Russell (eds), The Geographies of Englishness Landscape and the National Past 1880–1940

Janetta Rebold Benton, Art of the Middle Ages

Stephen James Newton, Painting, Psychoanalysis, and Spirituality

Olga Raggio, The Gubbio Studiolo and its Conservation. Vol 1, Frederico da Montefeltro's Palace at Gubbio and its Studiolo

Antione M Wilmering, The Gubbio Studiolo and its Conservation. Vol 2, Italian Renaissance Intarsia and the Conservation of the Gubbio and its Studiolo

Julian Spalding, The Poetic Museum: Reviving Historic Collections

Robert Rosenblum, On American Modern Art: Selected Essays by Robert Rosenblum

Kalman Bland, The Artless Jew: Medieval and Modern Affirmations and Denials of the Visual

Mary Bergstein, The Sculpture of Nanni di Banco

Claudia Giannini (ed), Installations, Mattress Factory, 1990–1999

John MacGregor, Henry Darger: In the Realms of the Unreal

David Hockney (ed), Secret Knowledge: Rediscovering the Lost Techniques of the Old Masters

William Griswold and Jennifer Tonkovich, Pierre Matisse and His Artists

Stephen Silson, Information Arts: Intersections of Art, Science and Technology

TG Rosenthal, Sidney Nolan

Pamela J Belanger (ed), Capturing Nureyev: James Wyeth Paints the Dancer

Susan Stronge, Painting for the Mughal Emperor: The Art of the Book 1560–1660

Erika Langmuir, Still Life Pocket Guide

Susan Lambert, Prints: Art and Techniques

Anna Jackson, The V & A Guide to Period Styles 400 Years of British Art and Design

Renee Price (ed), New Worlds: German and Austrian Art 1890–1940

Document Type: Research Article

DOI: http://dx.doi.org/10.1111/1467-8357.00316

Publication date: January 1, 2003

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