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Books and Catalogues in Brief

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Abstract:

Books reviewed in this section are:

Marsha Meskimmon, We Weren't Modern Enough: Women Artists and the Limits of German Modernism

Louis Torres and Michelle Marder Kamhi, What Art Is: The Esthetic Theory of Ayn Rand

Ashok Roy, (ed) National Gallery Technical Bulletin Volume 21

Mary D Garrard, Artemesia Gentileschi Around 1622: The Shaping and Reshaping of an Artistic Identity

Elizabeth Valdez del Alamo ,(ed) Memory and the Medieval Tomb

David Lomas The Haunted Self: Surrealism, Psychoanalysis, Subjectivity

Alexandra Munroe and Jon Hendricks, Yes: Yoko Ono

Helen McDonald, Erotic Ambiguities: The Female Nude in Art

Anita Fiderer Moskowitz, Italian Gothic Sculpture c.1250–c.1450

Paul McCartney, Paul McCartney: Paintings

Peter Kennedy Scott, A Romantic Look at Norwich School Landscapes by a Handful of Great Little Masters

Paul Hayes Tucker, The Impressionists at Argenteuil

Nancy Spector, (ed) Guggenheim Museum Collection A to Z

Philip Nord, Impressionists and Politics — Art and Democracy in the Nineteenth Century

Lisa Jardine and Jerry Brotton, Global Interests: Renaissance Art Between East and West

Stephanie Barron, Sheri Bernstein and Ilene Susan Fort, (eds) Reading California: Art, Image, and Identity, 1900–2000

Mary Rogers, (ed) Fashioning Identities in Renaissance Art

Carmen Bambach, et al Correggion and Parmigianino: Master Draughtsmen of the Renaissance

Pierre Francastel, Art and Technology in the Nineteenth and Twentieth Centuries

Isabelle Frank ,The Theory of Decorative Art. An Anthology of European and American Writings, 1750–1940

Fiona Carson and Claire Pajaczkowska, Feminist Visual Culture

Robert O'Byrne, Hugh Lane: 1875–1915

American University Presses Directory 2000–2001

Foreword by John Edwards, 7 Reece Mews: Francis Bacon's Studio

Document Type: Book Review

DOI: http://dx.doi.org/10.1111/1467-8357.t01-1-00267

Publication date: September 1, 2001

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