Art History

THE WILD MAN, CHARLEMAGNE AND THE GERMAN BODY
pp. 283-302(20)
Author: LEITCH, STEPHANIE

PLACE, PRINT AND MIRACLE: FORLÍ'S MADONNA OF THE FIRE AS FUNCTIONAL SITE
pp. 303-321(19)
Author: PON, LISA

FRAMING ROBERT AGGAS: THE PAINTER-STAINERS' COMPANY AND THE `ENGLISH SCHOOL OF PAINTERS'
pp. 322-341(20)
Author: JOHNS, RICHARD

BOOKS, PRINTS, AND TRAVEL: READING IN THE GAPS OF THE ORIENTALIST ARCHIVE
pp. 342-367(26)
Author: FRASER, ELISABETH A.

LACK OF FIT: TACITA DEAN, MODERNISM AND THE SCULPTURAL FILM
pp. 368-386(19)
Author: TRODD, TAMARA

COMFORT AND MOST APPROPRIATE BEAUTY by James R. Lindow
pp. 387-391(5)
Author: Shepherd, Rupert

REALISTICALLY REPRESENTING THE RENAISSANCE HOUSEHOLD edited by Marta Ajmar-Wollheim and Flora Dennis
pp. 391-395(5)
Author: Insoll, Timothy

ART AND SPLENDOUR by Robert S. Nelson, Ann Terry and Henry Maguire
pp. 395-399(5)
Author: James, Liz

PUBLICATIONS IN EARLY CHRISTIAN AND BYZANTINE ART HISTORY by Sarah Bassett, Antony Eastmond, John Freely, Ahmet S. Çakmak, Maria Fabricius Hansen, Ruth Leader-Newby, Torgil Magnuson, Anne McClanan and Vasiliki Tsamakda
pp. 399-406(8)
Author: Hennessy, Cecily

NINETEENTH- AND TWENTIETH-CENTURY APPROPRIATION OF BYZANTINE ART by Robert S. Nelson
pp. 406-411(6)
Author: Schibille, Nadine

EARLY PIONEERING ADVERTISING PHOTOGRAPHY edited by Vladimir Birgus, and Jan Mlcoch
pp. 411-412(2)
Author: Laberge, Yves

SPARING THE ROD by Joachim Pissarro, Claire Durand-Ruel Snollaerts, Joachim Pissarro, Richard R. Brettell and Anne-Birgitte Fonsmark
pp. 412-418(7)
Author: Thomson, Richard

ABSTRACTS AND AUTHORS
pp. 419-421(3)

ERRATUM
pp. 422-422(1)