Art History

ART HISTORY VISUAL CULTURE
pp. 479-493(15)
Author: Deborah Cherry

ONEIRIC HORIZONS AND DISSOLVING BODIES: BUDDHIST CAVE SHRINE AS MIRROR HALL
pp. 494-521(28)
Author: Eugene Y. Wang

SENSES AND SENSIBILITY IN BYZANTIUM
pp. 522-537(16)
Author: Liz James

GENDERING THE PERIOD EYE: DESCHI DA PARTO AND RENAISSANCE VISUAL CULTURE
pp. 538-562(25)
Author: Adrian W.B. Randolph

VISCERAL CULTURE: BLUSHING AND THE LEGIBILITY OF WHITENESS IN EIGHTEENTH-CENTURY BRITISH PORTRAITURE
pp. 563-592(30)
Author: Angela Rosenthal

MAKING SENSE OUT/OF THE VISUAL: ABORIGINAL PRESENTATIONS AND REPRESENTATIONS IN NINETEENTH-CENTURY CANADA
pp. 593-615(23)
Author: Ruth B. Phillips

FRAMING THE COLONY: HOUSES OF ALGERIA PHOTOGRAPHED
pp. 616-626(11)
Authors: Zeynep Çelik

‘MODEST RECORDING INSTRUMENTS’: SCIENCE, SURREALISM AND VISUALITY
pp. 627-650(24)
Author: David Lomas

ART BEYOND AESTHETICS: PHILOSOPHICAL CRITICISM, ART HISTORY AND CONTEMPORARY ART
pp. 651-670(20)
Author: Peter Osborne

HISTORY AS THE MAIN COMPLAINT: WILLIAM KENTRIDGE AND THE MAKING OF POST-APARTHEID SOUTH AFRICA
pp. 671-690(20)
Authors: Jessica Dubow; Ruth Rosengarten

Art history visual culture
pp. 691-691(1)
Author: Deborah Cherry

Oneiric horizons and dissolving bodies: Buddhist cave shrine as mirror hall
pp. 691-692(2)
Author: Eugene Y. Wang

Senses and sensibility in Byzantium
pp. 692-692(1)
Author: Liz James

Gendering the period eye: deschi da parto and Renaissance visual culture
pp. 692-692(1)
Author: Adrian W.B. Randolph

Visceral culture: blushing and the legibility of whiteness in eighteenth-century British portraiture
pp. 693-693(1)
Author: Angela Rosenthal

Making sense out/of the visual: Aboriginal presentations and representations in nineteenth-century Canada
pp. 693-694(2)
Author: Ruth B. Phillips

Framing the colony: houses of Algeria photographed
pp. 694-694(1)
Authors: Zeynep Çelik

‘Modest recording instruments’: science, surrealism and visuality
pp. 694-695(2)
Author: David Lomas

Art beyond aesthetics: philosophical criticism, art history and contemporary art
pp. 695-695(1)
Author: Peter Osborne

History as the main complaint: William Kentridge and the making of post-apartheid South Africa
pp. 695-696(2)
Authors: Jessica Dubow; Ruth Rosengarten