Tactility: the interrogation of medium in art of the 1960s
Author: Potts A.
Source: Art History, Volume 27, Number 2, April 2004 , pp. 350-351(2)
Publisher: Wiley-Blackwell
Abstract:
This article intervenes in current debate about medium by looking back to the 1960s, a moment located on the cusp between medium-based and post-medium conceptions of art. It examines a body of sculptural work where tactile qualities were given priority to the point where the formal values constituting sculpture as a medium were effectively negated. This situation illuminates a larger split emerging in the art world between the focus on materials and physical processes and the impulse to be liberated from the constraints of medium specificity. Such a split, it is argued, relates to divided perceptions of economy at the time when a preoccupation with the materials and processes of industrial production coexisted with a new focus on consumerism. What implications does the subsequent intensification of a consumer-orientated economy have for understandings of the materiality of the art work in a post-medium art world?Document Type: Research article
DOI: http://dx.doi.org/10.1111/j.0141-6790.2004.02702005_4.x
Publication date: 2004-04-01
- In this: publication
- By this: publisher
- In this Subject: Arts (General)
- By this author: Potts A.

Shopping cart
Receive new issue alert
Get Permissions