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Digital imaging technology is providing textile practitioners with a medium that is changing and challenging the processes used in the generation and production of printed textile artifacts. The phenomenological research being undertaken at University of Wales Institute Cardiff indicates
that when the technology is used as a creative medium rather than a production tool it facilitates an evolving visual language, new hybrid craft practices, and the opportunity for collaboration through the sharing of digital imagination. The findings reveal that since physical experience in
the world informs thought and fires imagination, future developments in computer interfaces and humanization technology will provide even greater opportunities for the creative exploitation of the media by printed textile practitioners. A number of innovatory printed textile artists and designers
based in the USA and Europe who are using digital imaging in their creative practice have contributed to this research through informal interviews, personal correspondence, and case studies.
Textile brings together research in textile studies in an innovative and distinctive academic forum for all those who share a multifaceted view of textiles within an expanded field. Peer-reviewed and in full-color throughout, it represents a dynamic and wide-ranging set of critical practices. It provides a platform for points of departure between art and craft; gender and identity; cloth, body and architecture; labor and technology; techno-design and practice— all situated within the broader contexts of material and visual culture.