Rebirth of Form in the Technical Age

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This lecture on modernist architecture in Germany was given by the German-Jewish philosopher Helmuth Plessner in 1932 to mark the twenty-fifth anniversary of the Deutscher Werkbund. While sympathizing with the modernist project, Plessner proposes a critique that focuses on the “open form” of modernist architecture and on its engagement with nature and technology. A critique of modernism from “within,” Plessner’s text offers new insights into the understanding of the period and its architecture, challenging the standard view that associates Bauhaus modernism with the political left and neo-traditionalist architecture with the political right.
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  • The first journal publishing original English-language translations of seminal works presently only available in their source language. Essential reading for everyone in the international academic community concerned with visual arts, architecture and design.

    Global in scope and extensively illustrated, this unique and innovative new e-journal demonstrates the vitality of art historical and visual culture scholarship undertaken outside English-speaking territories and cultures. Offering high quality English language translations of seminal works presently available only in their source language, Art in Translation offers a fresh perspective on global art practices, history and theory. It covers all areas of the visual arts including painting, drawing, sculpture, architecture, design, and electronic media.

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