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This article offers a situational analysis of the printing of cartoons about the Islamic Prophet in a Danish newspaper in 2005 and the ensuing demonstration by Danish Muslims. It suggests that rather than simply sparking protests, the 'cartoon controversy' created a space for possible
actions and a political platform for Muslims all over the world. Based on a review of the historical development of the national Danish discourse on immigrants, the article conveys how the cartoon controversy became instrumental in transforming this discourse. As a major creative event, it
not only ridiculed a dominant religious symbol but simultaneously created a space for the becoming of Muslims in Denmark and beyond.
Social Analysis has long been at the forefront of anthropology's engagement with the humanities and other social sciences. In forming a critical, concerned, and empirical perspective, it encourages contributions that break away from the disciplinary bounds of anthropology and suggest innovative ways of challenging hegemonic paradigms through 'grounded theory', analysis based in original empirical research. The journal invites contributions directed toward a critical and theoretical understanding of cultural, political, and social processes, as well as the work of active ethnographic researchers who study the forces involved in the production of human suffering, poverty, prejudice, war, and violence.