Self and the City: The Politics of Monuments
Abstract:This text looks at the function of monuments and to some extent architecture in the public space. It focuses especially on those countries that have undergone sweeping historical changes, such as Romania, Germany, and Russia, while attempting to convey not only the historical and cultural information but the very personal, physical sensations of the encounter a human being might have when in the proximity of monuments and spaces. The images are 360 degree surround photography, where the photographer's location constituted the very center of the image, thus making the photographer's subjectivity the invisible monument of the seemingly documentary image.
Document Type: Research Article
Publication date: March 1, 2007
More about this publication?
- Social Analysis has long been at the forefront of anthropology's engagement with the humanities and other social sciences. In forming a critical, concerned, and empirical perspective, it encourages contributions that break away from the disciplinary bounds of anthropology and suggest innovative ways of challenging hegemonic paradigms through 'grounded theory', analysis based in original empirical research. The journal invites contributions directed toward a critical and theoretical understanding of cultural, political, and social processes, as well as the work of active ethnographic researchers who study the forces involved in the production of human suffering, poverty, prejudice, war, and violence.
- Editorial Board
- Information for Authors
- Submit a Paper
- Subscribe to this Title
- Information for Advertisers
- Terms & Conditions
- Aims and Scope
- Recommend to your Library
- Sample Copy Request
- ingentaconnect is not responsible for the content or availability of external websites