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The Arts, the State, and the Eu: Cultural Policy in the Making of Europe

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Abstract:

This article considers the development of a European Union (EU) cultural policy and its role in the making of Europe. One of the aims of cultural policy is the fostering of specific identities. Although normally associated with the state—the community thus 'imagined' being typically the nation, with the nation-state the prime actor of interventions on cultural matters—in the last 20–30 years, decentralisation on the one hand and Europeanization on the other have undermined the state monopoly of cultural policies, calling for a reconsideration of their rationale, objectives, and reach. This article contributes toward such reconsideration, concentrating on the Europeanization dimension. It is based on an account of how the EU is gradually establishing a competence in the field of culture and on a closer investigation into how its framework program, Culture 2000, has been implemented and interpreted in a local context.

Keywords: CULTURAL POLICY; CULTURE 2000; EUROPEAN ADDED VALUE; EUROPEANIZATION; IDENTITY

Document Type: Research Article

DOI: http://dx.doi.org/10.3167/sa.2007.510103

Publication date: March 1, 2007

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  • Social Analysis has long been at the forefront of anthropology's engagement with the humanities and other social sciences. In forming a critical, concerned, and empirical perspective, it encourages contributions that break away from the disciplinary bounds of anthropology and suggest innovative ways of challenging hegemonic paradigms through 'grounded theory', analysis based in original empirical research. The journal invites contributions directed toward a critical and theoretical understanding of cultural, political, and social processes, as well as the work of active ethnographic researchers who study the forces involved in the production of human suffering, poverty, prejudice, war, and violence.
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