The concepts of zero and infinity have never ceased to perplex philosophers, mathematicians and scientists, especially since the sixteenth and seventeenth centuries. Using these concepts in regard to the notion of spatial dimensions, and in view of Borges's 'Death and the compass',
holds some surprises, especially, first, as viewed through the complementary thought processes of detective Lönnrot and Scharlach, presumably the perpetrator of four homicides, and, second, in view of Charles S. Peirce's concept of sign processes. Bringing one of Zeno's paradoxes into
the picture, along with allusions to other Borges images and characters – Funes the Memorious, the Aleph, the Zahir – we are left with a wedding between time, space and number, which continue to confound our best thinkers, even today.
Journal of Romance Studies promotes innovative critical work in the areas of linguistics, literature, performing and visual arts, media, material culture, intellectual and cultural history, critical and cultural theory, psychoanalysis, gender studies, social sciences, and anthropology. The primary focus is on those parts of the world that speak, or have spoken, French, Italian, Spanish or Portuguese, but work on other cultures may be included. Issues cross national and disciplinary boundaries in order to stimulate new ways of thinking about cultural history and practice.