Sartre's body parts: 'Intimité' as existential angst
Abstract:In Jean-Paul Sartre's story 'Intimité', ultimately included in the volume Le Mur, the protagonist, Lulu, embodies sensuality as she is drawn largely into an autoerotic world of her own creation. Bodies and body parts are given prominence in this story, in very physical and direct ways, but the representation of the body is often modified through consciousness and subjectivity and this distortion, figured through discours indirect libre, becomes the focus of the story.
Document Type: Research Article
Publication date: March 1, 2006
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- Journal of Romance Studies promotes innovative critical work in the areas of linguistics, literature, performing and visual arts, media, material culture, intellectual and cultural history, critical and cultural theory, psychoanalysis, gender studies, social sciences, and anthropology. The primary focus is on those parts of the world that speak, or have spoken, French, Italian, Spanish or Portuguese, but work on other cultures may be included. Issues cross national and disciplinary boundaries in order to stimulate new ways of thinking about cultural history and practice.
Published in Association with the Institute of Germanic & Romance Studies, School of Advanced Study, University of London.
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