Passing Time Since the Wende: Recent German Film on Unification
Author: Prager, Brad
Source: German Politics & Society, Volume 28, Number 1, Spring 2010 , pp. 95-110(16)
Publisher: Berghahn Journals
Abstract:
This article addresses how recent German films depict unification, placing special emphasis on the question of cinematic time. In contrast with Germany's most internationally successful films about the East German past—including Das Versprechen (1994), which emerged in the un-reflected moments not long after the fall of the Wall, Das Leben der Anderen (2006), which portrayed daily life under the shadow of the Stasi, and even Good Bye, Lenin! (2003), which depicted the period immediately following the fall of the Wall—and with the intention of identifying an alternative mode of depicting the GDR past, this paper explores a post Wende cinema of disillusionment. It examines: the revaluation of the time of unification itself in Oskar Roehler's Die Unberührbare (1999); the time of demission subsequent to unification as portrayed in Robert Thalheim's Netto (2004); and, the forsaken time of the postunification present as depicted in Christian Petzold's Yella (2007). The article provides an overview of this cinematic tendency, and comments specifically on how these three films represent the difference between the passage of historical time and its subjective experience.Keywords: GERMAN FILM; FILM AFTER THE WENDE; OSKAR ROEHLER; DIE UNBERUHRBARE; ROBERT THALHEIM; NETTO; CHRISTIAN PETZOLD; YELLA; GERMAN UNIFICATION
Document Type: Research article
DOI: http://dx.doi.org/10.3167/gps.2010.280106
Publication date: 2010-03-01
- German Politics and Society is a joint publication of the BMW Center for German and European Studies (of the Edmund A. Walsh School of Foreign Service, Georgetown University) and all North American universities associated with the German Academic Exchange Service (DAAD).
A peer-reviewed journal, it is the only American publication that explores issues in modern Germany from the combined perspectives of the social sciences, history, and cultural studies. It provides a forum for critical analysis and debate about politics, history, film, literature, visual arts, and popular culture in contemporary Germany. Every issue also includes contributions by renowned scholars commenting on recent books about Germany. - Editorial Board
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