Playing with Haddon's String Figures
Author: Eastop, Dinah
Source: Textile: The Journal of Cloth and Culture, Volume 5, Number 2, August 2007 , pp. 190-204(15)
Publisher: Berg Publishers
Key:
- Free Content
- New Content
- Subscribed Content
- Free Trial Content
- Free Content
- New Content
- Subscribed Content
- Free Trial Content
Abstract:
The transformative properties of string are considered via an analysis of string figures, also known as cat's cradles, which are loops of string manipulated to form three-dimensional patterns in sequence. This article looks at the string figures which form part of the collection made by A.C. Haddon in 1888, of everyday objects used by Torres Strait islanders. He promoted the documentation of string figures as a means of ethnographic enquiry, notably via the 1902 publication A method for recording string figures and tricks, co-authored with W.H. Rivers. The article considers how representation of Haddon's string figures and the significance attributed to them have changed. Haddon's string figures are analyzed in their various forms and contexts: as objects acquired by the British Museum in 1889, as published representations of the string figures, and as performance. How meaning is gained during the performance of string figures is understood here as due to the transformative properties of string as a medium.Keywords: STRING FIGURE; CAT'S CRADLE; A.C. HADDON; K. HADDON; PERFORMANCE; TRANSFORMATION; EMBODIED KNOWLEDGE; CAMBRIDGE ANTHROPOLOGICAL EXPEDITION TO THE TORRES
Document Type: Research article
DOI: 10.2752/175183507X219461
Key:
- Free Content
- New Content
- Subscribed Content
- Free Trial Content
- Free Content
- New Content
- Subscribed Content
- Free Trial Content
Click here for Page Help