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Anthony Trollope's novels of the 1860s examine jiltings and rivalries that would have instigated duels only a generation earlier. As his characters agonize over what course of private justice remains in lieu of the notoriety of public legal recourse, Trollope adds to the mid-century
debate over the “New Man.” The Small House at Allington brings these preoccupations together as it engages in an ironic deflation of the role of the hero, yet stages a series of pseudo-duels that exemplify the human need to know firsthand that wrongdoing has been addressed.
Although dueling has a negligible effect upon the outcome of the romance plots in his fic tion, Trollope shows that in cases of jilting the drive for retribution and closure is too overwhelming to abjure violence altogether.
Founded in 1970, the centennial anniversary of Dickens's death, DSA has been published since 1980 by AMS Press in cooperation with the Ph.D. program in English of the City University of New York and in association with the Graduate Center, CUNY and Queens College, CUNY. Besides presenting articles exploring the wide range of Dickens''s interests and talents, DSA also includes essays on other mid- and late- nineteenth-century authors and on the history and aesthetics of the period's fiction. In addition, each volume contains a substantial review article examining a prior year's scholarship on Dickens, and DSA occasionally publishes surveys of work on other Victorian writers, as well as review essays considering specialized studies of subjects in Victorian fiction. The editors seek to offer essays of "the most diverse kinds," those employing innovative as well as traditional approaches.