“Shall memory be the only thing to die?”: Fictions of Childhood in Dickens and Jerome K. Jerome
This article focuses on Dickens's David Copperfield (1849–50) and Jerome K. Jerome's Paul Kelver (1902) in order to question how these autobiographical novels should be read against the manuscript or nonfic tion accounts written by their respective authors on the same subject. The two works are connected by their concern with victimized children who become successful writers. Throughout their autobiographical writings, whether novels or professedly accurate accounts of their lives, Dickens and Jerome repeatedly use mythologizing practices to create a type of the ideal writer (although in Jerome's case this ideal may never be attained by the protagonist either in fiction or in life). A similarly self-conscious anxiety about reader-response informs the narrative strategies of both novels, manifested through their embedding of, and coded gesturing towards, a personal history which paradoxically remains concealed. The dilemma faced by both authors is that their accounts gain conviction and the lives of their characters become important, only by being edited or fictionalized.
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Document Type: Research Article
Publication date: 01 June 2012