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Songs from the Wood and Sounds of the Suburbs: A Folk, Rock and Punk Portrait of England, 1965–1977

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Abstract:

This article explores some of the ways in which England has been portrayed in the genre of folk, rock and punk music between 1965 and 1977. The article argues that changes in both the music and lyrics reflect the shift in England from what Eric Hobsbawm calls a post war ‘Golden Age’ to ‘Crisis Decades’. These musical transitions are evident in increasingly strident instrumentation and lyrical content that becomes progressively more cynical. The article argues that in this way, English folk, rock and punk music has played a role in both reflecting and recreating the spirit of the age.

Document Type: Research Article

DOI: https://doi.org/10.2148/benv.2005.31.3.255

Publication date: 2005-09-01

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  • Built Environment is published quarterly in March, June, September and December. With an emphasis on crossing disciplinary boundaries and providing global perspective, each issue focuses on a single subject of contemporary interest to practitioners, academics and students working in a wide range of disciplines. Issues are guest-edited by established international experts who not only commission contributions, but also oversee the peer-reviewing process in collaboration with the Editors.

    Subject areas include: architecture; conservation; economic development; environmental planning; health; housing; regeneration; social issues; spatial planning; sustainability; urban design; and transport. All issues include reviews of recent publications.

    The journal is abstracted in Geo Abstracts, Sage Urban Studies Abstracts, and Journal of Planning Literature, and is indexed in the Avery Index to Architectural Publications.

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